en	PEERTUBE's backstage

en	FRAMASOFT DECENTRALIZES

en	FRAMASOFT PRESENTS

en	Behind PEERTUBE, there's the "De-google-ify Internet" project.
th	Behind PEERTUBE, there's the "De-google-ify Internet" project

en	Among PEERTUBE workers
th	Among the PEERTUBE workers,

en	there's Chocobozzz,

en	PEERTUBE is Chocobozzz's baby
th	it's Chocobozzz's baby

en	who developed it for 2 years.
th	who at first developed it for 2 years.

en	Many people contribute to PEERTUBE:
th	Many contributors are on PEERTUBE

en	Marie-Cécile Godwin
th	Such as Marie-Cécile Godwin

en	works a lot
th	who works a lot on user experiment

en	on user experience design
th	design

en	to understand

en	how the systems work

en	and how they influence people.
th	and how they influence people

en	That's what she brings to PEERTUBE.
th	that's what she tries to bring to PEERTUBE.

en	One of PEERTUBE's code contributors,

en	Rigelk,

en	quickly got excited about this project
th	quickly get exited for this project

en	and started

en	to showcase it during conferences
th	to present it during conferences

en	and then to code.
th	and then to create code

en	That's how we met
th	that's how we met

en	and one thing leading to another, he became a Framasoft member.

en	David Revoy illustrated a lot
th	David Revoy worked a lot on the illustrations

en	for PEERTUBE

en	and also created PEERTUBE's mascot,

en	Sépia,

en	a small octopus representing PEERTUBE.

en	"How can Youtube be decentralized?"

en	We were searching,
th	we were looking,

en	drinking after the FOSDEM,
th	drinking after the FOSDEM

en	wondering what to do.
th	wondering what to do

en	We didn't want to use
th	we'll not use

en	Popcorn Time

en	you know this free-libre software used to illegally download videos
th	you know this free-libre software used to hack videos

en	we didn't know…
th	we had no idea…

en	And one day we heard about Chocobozzz,
th	and one day we heard about Chocobozzz

en	a free-libre software developer,
th	a free-libre software developer, who had this "PEERTUBE" project

en	and his pet project "PEERTUBE" on his free time,
th	on his free time

en	a decentralized
th	that was a decentralized

en	and federated

en	video streaming platform.

en	Hello, welcome to my house,
th	Hello, welcome to my house

en	I'm David Revoy,

en	an illustrator artist.
th	an illustrator artist

en	I use free-libre softwares since 2010

en	and illustrated FRAMASOFT's

en	Contributopia campaign.

en	We're going to meet Pouhiou
th	By the way, we're going to meet Pouhiou

en	because we have to work on PEERTUBE.
th	because there's a lot of work to do on PEERTUBE.

en	Hi Pouhiou,
th	Hi Pouhiou

en	how're you doing?
th	how're doing?

en	Wait, let me remove my…
th	wait I remove my…

en	Welcome to your house!

en	I think…

en	on the 3… you should draw a "V" as in victory but with a 3.
th	on the 3… you know, like a "V" for victory but with 3.

en	Knowing that to make a "V" you need 3 tentacles.
th	Knowing that a "V" needs 3 tentacles.

en	Let's say…
th	Let's say...

en	we slightly change
th	We slightly change

en	PEERTUBE's logo:
th	PEERTUBE's logo

en	we write the "Peer" in italics
th	so that the "Peer" is written in italics

en	and we add a small V3 in superscript next to "PEERTUBE".
th	and PEERTUBE with a small V3 exponant.

en	And knowing that there are 3 triangles.
th	And knowing that there are 3 triangles

en	"What does this 3 mean?"
th	How do you explain what this 3 means?

en	It means the plugin system
th	Both the plugin system you know

en	and the fact that it has been better reworked
th	the fact that it has been better rebuilt

en	which allows you to really ease contribution
th	allows you to really facilitate contribution

en	and you don't need to do all the core code anymore.
th	you don't need to do all the core code anymore

en	In the hot-air balloon mode
th	in the hot-air balloon mode

en	favoring Steampunk issues
th	and go more on steampunk issues

en	or 3 ballons…

en	I'm telling you nonsense…
th	I'm saying nonsense…

en	But I like the whole universe

en	of hot-air balloons, I really do!
th	of hot-air balloon, that's something I love

en	I had the chance to have

en	a hot-air balloon pilot mother.
th	a hot-air balloon pilot mother

en	Really?

en	That's great!
th	That's great

en	I like the zen and quiet side too
th	Hot-air balloon has a zen and quiet side too

en	of hot-air balloons.
th	that I appreciate

en	And you were talking about mountains,
th	and

en	but we can
th	you were talking about mountains, but we can

en	create a small symbolism behind

en	as it creates a dynamic
th	especially because it creates a dynamic

en	in your… Wow that's cool!

en	I'm Marie-Cécile

en	and for a living,
th	For a living,

en	I try to work the least possible

en	but I have bills to pay

en	so, yeah, actually I'm a designer.
th	so actually I'm a designer.

en	I also try to change my career

en	towards the dyeing of wool

en	because let's be honest
th	because it must be said,

en	computers are boring.

en	What does meeting people
th	Concretely what does it mean to meet people

en	who use these things mean?
th	that use the objects?

en	In the interwiews I led

en	I spoke to people that weren't part of the free-libre environment
th	I spoke to people that weren't part of the free-libre

en	such as teachers or primary school teachers
th	for example teachers or primary school teachers

en	who use the PEERTUBE instance of the Lyon Academy for example.
th	that use PEERTUBE instance of the Lyon Academy for example.

en	There are very common use issues,
th	They're very common use issues

en	it's everyday life:
th	it's everyday life

en	"I want to upload a video
th	I want to upload a video

en	how can I do that?"
th	how do I do that?

en	"I don't know PEERTUBE but I know YouTube, how do I do?"
th	I don't know PEERTUBE but I know YouTube, how do I do?

en	That's really interesting.

en	And especially people that use daily words,

en	and express their needs in a very pragmatic way.
th	that express their needs in a very pragmatic way.

en	And besides that, there were much more technical people,
th	And next to them, there are much more technical people,

en	or video makers who really had

en	very concrete use needs

en	like "how do I preserve my community
th	like how do I preserve my community

en	if I move to PEERTUBE?"
th	if I moved to PEERTUBE.

en	It's interesting to see the different uses.
th	It's interesting to see the different uses

en	And once again we didn't really talk about the software.
th	and here again we didn't really talk about the software.

en	I often say that design is giving a form:
th	I often say that design is giving a form

en	meaning that I come
th	meaning that I arrive and

en	and gather together
th	gather together

en	the complicated information I see

en	to try to give them a comprehensible
th	and try to give them a comprehensible

en	and meaningful form.
th	and meaningful form

en	So sometimes it's just about combining the constraints
th	so sometimes it's just about seeing the constraints

en	to create a furniture or an interface

en	and sometimes it's more:

en	"Shit, we don't know what people using PEERTUBE do
th	shit, we don't know what people using PEERTUBE do

en	and what they need."
th	and what they need.

en	How do you realize it into something comprehensible
th	How do you form it into something comprehensible

en	and how do you transcribe it into an interface?
th	and how do you retranscript it into an interface?

en	When we started PEERTUBE,
th	When we started PEERTUBE

en	everyone told us:
th	Everyone told us:

en	you must have monetization,
th	you must have monetisation,

en	stats and chat tools for youtubers.

en	But we thought…
th	But we thought...

en	it's not that we don't like youtubers,
th	the problem isn't that we don't like youtubers,

en	I used to be one,

en	but they're just the tip of the iceberg
th	but it's just the iceberg visible part

en	of online videos.

en	After all

en	who shares videos

en	on the Internet, based on this iceberg?
th	on the Internet

en	There's the teacher sharing his course,

en	the small online sweater shop showing you how to make stitches

en	to sell you its wool and needles.
th	to sell you its wool, needles.

en	Some people want to share videos

en	of their cats when they fall on the street.
th	of their cats when they fell on the street.

en	We told ourselves that

en	we'll make a tool for these people

en	who have less needs…
th	who have less needs...

en	and besides…
th	and besides...

en	it allowed us to create PEERTUBE…
th	it allows us to make a PEERTUBE…

en	which isn't a copy of Youtube.
th	that isn't a copy of Youtube.

en	It allows us to create another tool

en	with other features.

en	Hi, I'm Rigelk.

en	I'm a PEERTUBE contributor
th	I'm a PEERTUBE contributor,

en	for two years and a half now.

en	I first started

en	as any contributors,
th	as any contributors

en	with questions on the software:

en	"How does it work?"

en	"What's the long-term vision for streaming videos?"
th	"What's the long-term visio for streaming videos?"

en	and "How can I help you a little bit?"

en	To me it was an important and good project.

en	PEERTUBE is a software

en	where developers usually prefer
th	where developers usually prefer to contribute;

en	(at least when they contribute online)
th	when they contribute online as least;

en	to contribute on a software forge
th	on a project hosting website

en	that's to say on something that gathers
th	meaning which gathers

en	features and important contributions
th	features, important contributions

en	such as project memory

en	including
th	containing

en	all the users' and feature requests
th	all the users' and feature requests,

en	and bug reports…
th	bug rapports...

en	When we upload a video on PEERTUBE

en	many mechanisms are working.
th	many mechanisms are working

en	When we're entering

en	the video metadata,
th	the video metadata

en	the server has to transform the video,
th	the servor has to transform the video,

en	and transcode it in various definitions
th	and transcode it in various resolutions

en	to make sure that the video is visible
th	to make sure that the video can be seen

en	by any browser and device.

en	Federation

en	allows servers
th	allows servors

en	and in fine users

en	to connect with each other.

en	In fact,

en	PEERTUBE's advantage
th	PEERTUBE project's advantage

en	was this federation

en	where big web giant servers weren't needed
th	where big web giant servors weren't necessary

en	but where you could create many small servers
th	but we could create many small servors

en	which once federated
th	that federated

en	and interconnected together,
th	and were interconnected together.

en	the servers…
th	So...

en	offer a huge video catalogue even if the videos
th	they offer a huge video catalogue even if the videos

en	are divided in many people's homes.
th	are separated for many people.

en	Chocobozzz's huge intuition

en	was to add something else to the federation:
th	was to add something more to the federation:

en	peer-to-peer video streaming.

en	And thanks to peer-to-peer video streaming:
th	And live peer-to-peer video streaming

en	if your video is a success
th	allows, if your video is a success,

en	and if many people

en	connect at the same time to watch your video,
th	connect at the same time to see your video,

en	your server don't handle
th	it's not your servor that will load

en	these new people
th	and carry all these new people

en	that say "Woaa…
th	that say "Woaa"

en	I want your video, I want your video".
th	"I want your video, I vant your video",

en	The video is also shared
th	the video is also shared

en	with the audience.
th	between the audience.

en	This is very important in PEERTUBE
th	It's very important in PEERTUBE

en	because of this whole question of…
th	as there's this whole question of...

en	data cost

en	that platforms
th	that is often

en	often forget
th	forgotten by the platforms

en	when they offer videos,

en	like on Youtube,
th	like Youtube, we don't share the data cost

en	where you don't know data cost.
th	with you.

en	But the storage and transcoding costs

en	and being able to
th	are really important,

en	keep your own data
th	and being able to

en	and own defined costs to scale
th	keep his own data

en	while having access
th	and own costs to scale that we wish

en	to an external video catalogue
th	while having access

en	are very important.
th	to an external video catalogue

en	That's the strength of PEERTUBE's network.
th	make the strength of PEERTUBE's network.

en	PEERTUBE's installation
th	PEERTUBE's installation is not

en	isn't totally simple to everyone
th	totally simple for everyone

en	because we need to fix complicated technical issues
th	because complicated technical issues

en	to optimize the video service.
th	need to be fixed to optimise the video service.

en	After all, providing videos
th	After all, to serve videos

en	requires important bandwdith as they are large files.
th	these are large files and you need an important bandwdith.

en	Not everyone will be able

en	to install a PEERTUBE service

en	and provide videos on himself.
th	and serve videos on himself.

en	That's why there are different users:
th	That's why we differ several uses.

en	some people
th	Some people will install

en	will install PEERTUBE on their servers
th	PEERTUBE on the servors

en	because they have a more in-depth technical knowledge
th	because of they have more in-depth technical knowledge

en	and there are

en	video creators,

en	visitors who will watch
th	visitors who watch

en	videos and follow accounts

en	of creators.
th	of creators,

en	They're 2 different audiences and we're not asking everyone
th	but it's 2 different audiences and we're not asking eveyrone

en	to install a PEERTUBE instance.

en	At the beginning

en	I posted this one.
th	I posted

en	I think it was…
th	I think it was...

en	the very first thing I posted

en	and the goal really was

en	to work with it.

en	This was PEERTUBE's only graphic universe,
th	It was PEERTUBE's only graphic universe.

en	this was…
th	It was...

en	this triangle that really speaks to me,

en	because it looks like Zelda's triforce triangle
th	because it's like Zelda's triforce triangle

en	but inclined.
th	but inclined

en	And there, I tried with a TV, an old tube TV,
th	and from here, I tried with a tv, an old CRT tv

en	the good one
th	the good tv

en	but immediately young people
th	and immediately young people

en	on the Pepper & Carrot project asked me "woaa, why is his head in a microwave?"
th	on the Pepper & Carrot project said to me "woaa, how comes his head is in a microwave?"

en	I felt very old.

en	I started to draw the logo

en	and just plugged

en	the small octopus below.

en	Very quickly I got a figure
th	And I obtained a figure very quickly

en	that nobody knew,
th	that wasn't known,

en	who was made for PEERTUBE.
th	and made for PEERTUBE.

en	When I showed this sketch on the IRC channel, they immediately…
th	When I showed this sketch on the IRC channel, they immediately...

en	agreed in a very sympathic way.
th	agreed with a great degree of sympathy

en	To present it a bit to the community,
th	and then to present it a bit to the community,

en	I had to

en	make a version that was more…
th	make a version that was more...

en	clean,
th	clean

en	something a bit more like puppets
th	a bit more vector puppet

en	that's to say all the tentacles are separated,
th	that's to say, the tentacles are separed

en	we can move their eyes
th	we can move the eyes

en	articulate it and

en	that's what I published in the end.

en	GAFAM aren't free,

en	and that's the issue.
th	and that's what it's all about

en	I teach a lot in the School of
th	I give many course in schools of

en	Digital Innovation… something.
th	Innovation... Digital... Something,

en	It's interesting to be confronted
th	it's interesting to be confronted

en	to the point of views
th	to student's point of views

en	of the new generations of students
th	to new generations

en	who don't see free things
th	that don't see free things

en	as an exploitation of their data at all.

en	They just think "Yes you will be watched"
th	They just think "Woa we're going to be watched"

en	whereas it's a lot more pervasive
th	whereas it's a lot more perverse,

en	and lasts for a very long time.
th	and on a very long period.

en	That's surveillance,

en	data accumulation,

en	profil creation,

en	which are very invasive and perverse.
th	that are very invasive and perverse,

en	One of the free-libre issues, is that to contribute and share
th	and one of free-libre problems, it's that to contribute and share

en	your voice, opinions, views or uses
th	your voice, opinions, view or uses

en	you have to use filters,

en	you have to know how to publish on GitHub,

en	you have to be bold for creating a forum profil…
th	you have to be bold for creating a forum profil...

en	When I first wanted to

en	contribute to free-libre, and write a simple feedback
th	contribute to free-libre, just to write a simple feedback

en	I had to overcome a huge obstacle
th	there's a huge obstacle

en	so it's complicated.
th	to overcome so it's complicated.

en	A lot of voices aren't heard.

en	My work is also to find

en	voices that usually don't stand out
th	where usually

en	and to bring out
th	voices don't stand out and to bring out

en	the uses that have never been noticed.
th	the uses that are never never noticed.

en	The difference with more centralized platforms

en	is the fact that they are based on an attention economy

en	where they monetize views,
th	where they monetise views,

en	especially

en	through advertising,
th	with advertising,

en	the most standard mean,

en	and through online diffusion interactions
th	and with online diffusion interactions,

en	called "super chat" on some platforms.
th	called "super chat" on some platforms,

en	This economy
th	and this economy

en	specific to platforms

en	is totally disconnected from PEERTUBE

en	because we wanted PEERTUBE to remain a streaming platform

en	that wasn't related to a payment system,

en	that wasn't related to…
th	that wasn't related to...

en	a recommendation system

en	that reinforces this monetization.
th	that reinforces this monetisation

en	It's probably the main
th	which is probably the main

en	reason

en	for bubble creation on other platforms:
th	of bubble creation on other platforms,

en	attention bubbles
th	attention bubbles,

en	because we want to offer content
th	because we want to offer content so that

en	that encourages the user to stay on these platforms.
th	the user platforms stays.

en	This isn't PEERTUBE's case.
th	Which isn't PEERTUBE's case.

en	We don't have a financial interest

en	in keeping the user there
th	if the person stays

en	and we don't have an interest
th	and we don't have an interest to suggest

en	in suggesting them more extreme videos.
th	more extreme videos,

en	We don't have an attention economy
th	we don't have an attention economy

en	and all its sides.

en	With the release of "the live" in v3
th	With the arrival of "the live" in v3

en	we're going to…
th	we're going to...

en	enjoy even more

en	the leverage effect of peer-to-peer
th	the leverage of peer-to-peer

en	that we already use for video streaming

en	because many people will be watching

en	the same segment,

en	the same part of the video at the same time.
th	the same part of the video at the same time

en	And peer-to-peer will be fully realized
th	and peer-to-peer will be fully realized

en	to help the server stream videos.
th	to help the servor to stream videos.

en	PEERTUBE is financed and maintained

en	by Framasoft, the not-for-profit organization.
th	by Framasoft association.

en	Framasoft

en	was created in 2004

en	and is a sort of an intermediary

en	between software world and free-libre culture

en	and people.

en	That's it. And we try to bring more free-libre in people's lives.
th	That's it... And we try to bring more free-libre in people's lives.

en	Today,

en	Framasoft

en	is a popular education association

en	on digital world issues.
th	to digital world issues.

en	PEERTUBE's V3 was published in early January 2021.

en	Six months of development (by one single employee and volunteers) and a fundraising of €68000 were necessary for V2 to become V3.

en	It includes a global search engine, better moderation tools, playlists and plugins and live peer-to-peer video streaming.
th	It includes a global search engine,better moderation tools, playlists and plugins and live peer-to-peer video streaming

en	FRAMASOFT thanks all the 1299 fund donors and everyone who contributed to this project in their own ways.
th	FRAMASOFT thanks all the 1299 fund donors and all the people who contributed to this project in their own way.

en	Captations TomTooM

en	Songs Erwan Lerale

en	This report realization was offered to FRAMASOFT by Kintesens prod.
th	This report realisation was offered to FRAMASOFT by Kintesens prod.

en	French Subtitles TomToom

en	English subtitle version by Coraline Léguillon
th	English subtitle version by Put your name here !!!